Captain America: Brave New World is a Frankenstein's monster of a movie, stitched together from at least three different scripts, multiple rounds of reshoots, and the remnants of a 2008 plotline nobody was asking to resolve. The core problem isn't wokeness. It's competence. The film doesn't know what it wants to be.

Anthony Mackie deserves better. The man is genuinely charismatic, physically committed, and capable of carrying a franchise. Harrison Ford brings exactly what you'd expect: gruff, commanding, and instantly credible as a president with secrets. His transformation into Red Hulk is the film's best visual sequence, and the scene where Sam talks him down by reminding him of cherry blossoms with his daughter Betty is the emotional high point.

The action is where things go sideways. Sam Wilson does not have super soldier serum, yet he survives G-forces that should liquify him and holds his own against a rampaging Hulk. Shira Haas as Ruth Bat-Seraph is roughly five feet tall and the film expects us to believe she can launch two-hundred-pound men across rooms. Tim Blake Nelson's Leader looks like a radioactive sweet potato.

The racial subtext deserves honest assessment. Isaiah Bradley, the Black super soldier experimented on by the U.S. government, is a recurring presence. When President Ross calls Sam "son," Sam reacts with tension clearly coded as racial. The Japanese Prime Minister's line about America being "a country used to taking what it wants" is presented as righteous truth. None of this is fabricated in isolation, but the cumulative effect creates a political subtext that conservative viewers will find impossible to ignore.

The film grossed $415 million worldwide, technically profitable but deeply disappointing for a Captain America film. Conservative viewers who can stomach the racial subtext will find a serviceable superhero film carried by two charismatic leads. The traditional elements, including Sam's loyalty, the father-daughter reconciliation, and accountability for leaders, are genuine but insufficient to overcome the film's structural problems and ideological freight.

Trope	Category	Location	Authenticity
The Victimhood Meritocracy	WOKE	Throughout -- Isaiah Bradley's storyline positions America's treatment of Black super soldiers as defining moral failure	Mixed -- based on real history and comics canon but emphasis is editorially modern
Institutional Evil	WOKE	Throughout -- Government imprisoned and experimented on Bradley, imprisoned Sterns, President is literally a monster	Mixed -- real institutions have real failures but totality of corruption is editorial
The Girl Boss	WOKE	Multiple action sequences -- Five-foot-tall Ruth Bat-Seraph launches 200-pound men across rooms	Fabricated -- human biomechanics do not work this way
Diversity Retrofit	WOKE	Throughout -- Supporting cast assembled with visible demographic quotas	Mixed
Anti-Western Revisionism	WOKE	Summit sequence -- Japanese PM declares America is a country used to taking what it wants	Mixed -- critique has real-world basis but presented one-dimensionally
The Bigoted Traditionalist	WOKE	Son scene -- Ross calling Sam son charged with racial significance by the writers	Mixed -- the scene's racial coding is the writers' editorial choice
The Legacy Replacement	WOKE	Entire film -- Sam replaces Steve Rogers with race positioned as central to his experience	Mixed -- Sam was Captain America in comics but MCU choice influenced by diversity priorities
Redeemed Criminal Systemic	WOKE	Sterns storyline -- Villain partially sympathetic because government broke its promise	Mixed
Defense of the Innocent	TRADITIONAL	Throughout -- Sam shields civilians, intercepts planes, risks his life without superpowers	Authentic -- Captain America's core identity preserved
The Self-Sacrificing Hero	TRADITIONAL	Multiple sequences -- Sam risks mortal danger without super soldier protection, Torres critically injured	Authentic
Father-Daughter Reconciliation	TRADITIONAL	Climax -- Sam talks Red Hulk down by reminding Ross of cherry blossoms with Betty	Authentic -- built on seventeen years of MCU continuity
Accountability for Leaders	TRADITIONAL	Final act -- Ross resigns and has himself incarcerated, accepts consequences	Authentic
Industry and Perseverance	TRADITIONAL	Throughout -- Sam perseveres without superpowers, refuses the serum as principled choice	Authentic