Netflix is the largest entertainment platform on Earth, and the single most important battleground for what your family watches. The VirtueVigil database now holds 57 Netflix originals with completed Woke Scores, and the picture they paint is clearer than any one show can convey on its own. This is the full list, ranked from most woke to most traditional.
The spread is enormous. At the top sits Emilia Pérez at a -25.4 margin (STRONGLY WOKE). At the bottom sits Happy Gilmore 2 at a +27.8 margin (STRONGLY TRADITIONAL). That is a 53-point range within a single platform, which tells you Netflix is not one thing. It is a collection of teams with wildly different instincts, and the difference between what one team makes and another team makes is the difference between a lecture and a movie.
The shape of the distribution matters. Two titles land STRONGLY WOKE, twelve WOKE LEAN, and nine MIXED, with a striking absence: not a single Netflix original lands in the plain WOKE tier between -10 and -20. Netflix tends to either go fully woke or stay in the lean zone. On the other side, seventeen titles land TRADITIONAL LEAN, eleven TRADITIONAL, and six STRONGLY TRADITIONAL. That is 34 titles leaning traditional or stronger against 14 leaning woke or stronger. The raw numbers are not the story, though. The story is which titles those are.
The pattern that jumps out first: prestige drama and animated kids' content cluster on the woke side, while action, thriller, and legacy franchise content clusters on the traditional side. Emilia Pérez, Glass Onion, Adolescence, and Bridgerton are awards machines and algorithm darlings, and they are also the most ideologically aggressive. Extraction, War Machine, Peaky Blinders, and Cobra Kai are the shows Netflix makes when it wants a broad, durable audience, and they lean hard the other way. Parents do not need a decoder ring to navigate this. They need the scores. Here they are, ranked from most woke to most traditional.
STRONGLY WOKE (Margin -20.0 and Below)
#1: Emilia Pérez (2024)
Woke Score: 30.4 • Traditional Score: 5.0 • Verdict: STRONGLY WOKE • Margin: -25.4
Genre: Musical / Crime / Drama | Platform: Netflix
Emilia Pérez is the most woke title in the entire Netflix catalog by a wide margin. Jacques Audiard's Spanish-language musical about a Mexican cartel boss who transitions is a stylistic experiment bolted onto a progressive thesis: identity is the only true redemption, and the traditional institutions around it, family, church, the state, are the obstacles. The 30.4 woke score reflects a film that wears its ideology in every scene. The 5.0 traditional score reflects a film that has almost nothing left over for story, character, or the ordinary moral texture audiences connect with. It swept awards-season attention precisely because of what it is. That is the point worth knowing.
Read the full VirtueVigil review of Emilia Pérez
#2: Glass Onion: A Knives Out Mystery (2022)
Woke Score: 24.3 • Traditional Score: 4.0 • Verdict: STRONGLY WOKE • Margin: -20.3
Genre: Mystery / Comedy | Platform: Netflix | Director: Rian Johnson
Rian Johnson's second Benoit Blanc mystery replaces the first film's class critique with a blunt and literal one: the villain is a tech billionaire who lies, cheats, and destroys people, and the heroes are the ensemble of clever outsiders who take him down. The mystery structure is real and the craft is high, which is why the traditional score is not zero. But the film's moral engine runs entirely on resentment of wealth and status, and it never once complicates that premise. At 24.3 woke to 4.0 traditional, this is a whodunit that knows exactly who it thinks is guilty before the first body drops.
Read the full VirtueVigil review of Glass Onion
WOKE LEAN (Margin -0.1 to -9.9)
#3: Enola Holmes 3 (2026)
Woke Score: 16.1 • Traditional Score: 7.4 • Verdict: WOKE LEAN • Margin: -8.7
Genre: Mystery / Adventure | Platform: Netflix | Director: Philip Barantini
The Enola Holmes franchise has always carried its feminism on its sleeve, and the third installment does not break form. Enola's cleverness is framed as the correction to her brother's institutional arrogance, and the film consistently positions the establishment as the thing standing between young women and their freedom. The mystery craft and the genuine warmth between the Holmes siblings keep the traditional score alive, but the ideological direction has never been in doubt.
Read the full VirtueVigil review of Enola Holmes 3
#4: Adolescence (2025)
Woke Score: 22.5 • Traditional Score: 14.8 • Verdict: WOKE LEAN • Margin: -7.8
Genre: Psychological Crime Drama | Platform: Netflix
Adolescence is the rare show where both scores run high, because it is genuinely interested in something real: what turns a child into a killer. The woke side comes from the show's insistence that the answer lies in toxic masculinity, online radicalization, and a culture that fails boys. The traditional side comes from the show's unflinching willingness to hold a family accountable and to treat the crime as a tragedy rather than a systemic abstraction. It is ambitious television that never quite separates diagnosis from ideology, which is why it lands WOKE LEAN rather than MIXED.
Read the full VirtueVigil review of Adolescence
#5: Bridgerton: Season 4 (2026)
Woke Score: 16.2 • Traditional Score: 10.0 • Verdict: WOKE LEAN • Margin: -6.2
Genre: Regency Romance Drama | Platform: Netflix
Bridgerton sells itself as romance and delivers progressive messaging through its casting, its sexual politics, and its constant reframing of Regency society as a system of oppression that the good characters chafe against. The show's romance engine and its commitment to happy endings keep the traditional score in double digits, which is exactly why it is so effective as an ideological delivery vehicle. Audiences come for the love story and absorb the framing by osmosis.
Read the full VirtueVigil review of Bridgerton: Season 4
#6: KPop Demon Hunters (2025)
Woke Score: 22.6 • Traditional Score: 16.7 • Verdict: WOKE LEAN • Margin: -5.9
Genre: Animated Musical Urban Fantasy | Platform: Netflix
This animated musical about K-pop idols who hunt demons is a fascinating case: it carries heavy woke freight in its identity politics and its treatment of fame and gender, but its demon-hunting premise is built on a fundamentally traditional good-versus-evil frame that keeps the traditional score surprisingly high. The result is a kids' title with a real ideological tug-of-war inside it, and parents should know which direction it leans.
Read the full VirtueVigil review of KPop Demon Hunters
#7: Squid Game: Season 3 (2025)
Woke Score: 18.7 • Traditional Score: 12.9 • Verdict: WOKE LEAN • Margin: -5.8
Genre: Survival Thriller / Dystopian Drama | Platform: Netflix | Director: Hwang Dong-hyuk
Squid Game was always a class critique dressed as a survival thriller, and by the third season the critique has hardened into a full-throated indictment of wealth, inequality, and the people who profit from desperation. The traditional score survives because the show still believes in sacrifice, loyalty, and the moral weight of choosing to do the right thing under pressure. But the show's answer to who is to blame has never been subtle, and it is not meant to be.
Read the full VirtueVigil review of Squid Game: Season 3
#8: Wednesday: Season 2 (2025)
Woke Score: 21.1 • Traditional Score: 15.4 • Verdict: WOKE LEAN • Margin: -5.7
Genre: Gothic Mystery / Dark Comedy | Platform: Netflix
Wednesday Addams has always been an outsider figure, and the modern series leans into that outsider status as a vehicle for identity-first storytelling. The second season keeps the gothic charm and the murder-mystery structure, but it sharpens the framing around female defiance of patriarchal and institutional authority. The traditional score stays elevated because the Addams family itself is built on loyalty and love, which is the show's saving grace and its most confusing feature for parents trying to sort it out.
Read the full VirtueVigil review of Wednesday: Season 2
#9: Red Notice (2021)
Woke Score: 8.5 • Traditional Score: 2.8 • Verdict: WOKE LEAN • Margin: -5.7
Genre: Action / Comedy / Heist | Platform: Netflix | Director: Rawson Marshall Thurber
Red Notice is an odd case: a star-vehicle heist comedy that carries a surprisingly low traditional score. The film's banter-driven plot never builds real stakes or real loyalty between its characters, and the woke lean comes less from an explicit agenda than from a general cynicism about authority and a surface-level girlboss framing of its female lead. It is not a film with a thesis. It is a film where the absence of a traditional moral center quietly shows.
Read the full VirtueVigil review of Red Notice
#10: Wednesday (2022)
Woke Score: 16.1 • Traditional Score: 10.6 • Verdict: WOKE LEAN • Margin: -5.5
Genre: Supernatural Mystery Comedy | Platform: Netflix
The first season of Wednesday established the template that the sequel would follow: a heroine defined by her refusal to conform, a school that stands in for every institution she is supposed to submit to, and a mystery that rewards her defiance. The Addams family warmth is present from the start, which keeps the traditional score alive, but the show's core argument, that the system is the enemy and the misfit is the hero, lands squarely in the woke-lean zone.
Read the full VirtueVigil review of Wednesday
#11: Stranger Things (2025)
Woke Score: 13.0 • Traditional Score: 8.0 • Verdict: WOKE LEAN • Margin: -5.0
Genre: Sci-Fi & Fantasy | Platform: Netflix
The Stranger Things franchise is a study in drift. The first season was a loving, mostly traditional homage to 1980s coming-of-age adventure. By the later seasons the show had layered in heavier progressive framing around its characters' identities while keeping the monster-fighting core intact. This entry reflects the franchise as a whole: still fundamentally a story about friendship and courage, but increasingly freighted with contemporary identity messaging that pulls it left of center.
Read the full VirtueVigil review of Stranger Things
#12: All Quiet on the Western Front (2022)
Woke Score: 13.9 • Traditional Score: 9.0 • Verdict: WOKE LEAN • Margin: -4.9
Genre: War / Drama | Platform: Netflix | Director: Edward Berger
This is a war film that hates war, and that hatred is what produces its woke lean: the film's anti-war argument bleeds into an anti-military, anti-authority framing that treats the generals and the state as the enemy as much as the opposing army. The traditional score survives because the film is fundamentally about the brotherhood of soldiers and the horror of what war does to young men, which is a deeply traditional subject even when the politics around it tilt progressive.
Read the full VirtueVigil review of All Quiet on the Western Front
#13: The Electric State (2025)
Woke Score: 13.6 • Traditional Score: 9.5 • Verdict: WOKE LEAN • Margin: -4.1
Genre: Sci-Fi / Action-Adventure / Comedy | Platform: Netflix
The Electric State is built on a familiar progressive template: the robots are the sympathetic outsiders, the corporation is the villain, and the human institutions are the thing the heroes must escape. The road-trip warmth between its leads gives the film a genuine traditional heartbeat, but the film's worldview, that technology's casualties are the good guys and the system that created them is the enemy, is woke-lean through and through.
Read the full VirtueVigil review of The Electric State
#14: Ozark (2022)
Woke Score: 9.0 • Traditional Score: 5.0 • Verdict: WOKE LEAN • Margin: -4.0
Genre: Thriller | Platform: Netflix
Ozark is a show about a family dragged into crime, and its moral center is the casualty. The Byrdes' gradual corruption is framed less as individual moral failure than as the inevitable result of a system that rewards the ruthless, which is what pushes the show's lean. The traditional score stays low because the show never really believes in redemption, family loyalty, or institutional legitimacy, only survival. It is gripping television with a hollow moral core.
Read the full VirtueVigil review of Ozark
MIXED (Margin -0.9 to +2.9)
#15: Atlas (2024)
Woke Score: 12.2 • Traditional Score: 10.8 • Verdict: MIXED • Margin: -1.4
Genre: Science Fiction Action | Platform: Netflix
Atlas is a Jennifer Lopez sci-fi action vehicle that never commits to an ideology. It has the surface trappings of progressive casting and a heroine who must overcome institutional distrust, but its actual plot, a soldier learning to trust an AI and save humanity, is close to neutral. Both scores sit in the low teens, and the result is a MIXED verdict that reflects a movie more interested in spectacle than in saying anything.
Read the full VirtueVigil review of Atlas
#16: Black Mirror: Season 7 (2025)
Woke Score: 9.0 • Traditional Score: 8.0 • Verdict: MIXED • Margin: -1.0
Genre: Sci-Fi & Fantasy | Platform: Netflix
Black Mirror has drifted from its techno-skeptical roots into a more predictable set of anxieties about social media, surveillance, and corporate power, which keeps its woke score modestly elevated. But the anthology's willingness to let its cautionary tales end badly, and to treat human nature itself as the problem, keeps the traditional score nearly even. The result is a show that is more ambivalent than either of its reputations suggest.
Read the full VirtueVigil review of Black Mirror: Season 7
#17: Back in Action (2025)
Woke Score: 10.2 • Traditional Score: 9.5 • Verdict: MIXED • Margin: -0.7
Genre: Action / Comedy | Platform: Netflix
A spy couple pulled back into the game is a premise with a naturally traditional center, family over everything, but Back in Action undercuts it with a steady stream of girlboss framing and a general light mockery of domesticity. The two forces nearly cancel out, leaving a MIXED verdict on a film that cannot decide whether it wants to celebrate the family or wink at it.
Read the full VirtueVigil review of Back in Action
#18: Zero Day (2025)
Woke Score: 15.2 • Traditional Score: 14.6 • Verdict: MIXED • Margin: -0.6
Genre: Drama / Thriller / Political | Platform: Netflix
Zero Day, Robert De Niro's limited series about a cyberattack on America, is the rare Netflix political thriller that lands almost exactly in the middle. Its anxiety about disinformation and extremism pulls left, while its fundamental faith in institutions, service, and a former president doing his duty pulls right. Both scores are high, and they nearly cancel. It is the most genuinely balanced political show in the Netflix catalog.
Read the full VirtueVigil review of Zero Day
#19: Wake Up Dead Man: A Knives Out Mystery (2025)
Woke Score: 6.3 • Traditional Score: 6.0 • Verdict: MIXED • Margin: -0.3
Genre: Mystery / Comedy Thriller | Platform: Netflix | Director: Rian Johnson
The third Knives Out film cools off considerably from the first two. The class-warfare framing that made Glass Onion STRONGLY WOKE is dialed back here, replaced by a more conventional whodunit that is more interested in its puzzle than its politics. Both scores settle into the single digits and nearly even out, making this the most neutral Benoit Blanc outing yet.
Read the full VirtueVigil review of Wake Up Dead Man
#20: 72 Hours (2026)
Woke Score: 8.4 • Traditional Score: 8.1 • Verdict: MIXED • Margin: -0.3
Genre: Comedy | Platform: Netflix | Director: Tim Story
72 Hours is a comedy that does not carry much of an ideological payload in either direction. Its low, nearly identical scores reflect a film that is content to entertain without preaching, which in the current Netflix landscape is itself a mild statement. Parents will find little to object to and little to applaud.
Read the full VirtueVigil review of 72 Hours
#21: Hit Man (2024)
Woke Score: 4.0 • Traditional Score: 4.0 • Verdict: MIXED • Margin: 0.0
Genre: Comedy | Platform: Netflix
Richard Linklater's Hit Man is a dead-even 4.0 on both axes, a rarity in the database. The film is a philosophical comedy about identity and self-invention that refuses to moralize, and its equal scores reflect a movie that is genuinely more interested in its questions than in its answers. It is the single most neutral title in the Netflix catalog, and one of the most neutral in the entire VirtueVigil database.
Read the full VirtueVigil review of Hit Man
#22: Remarkably Bright Creatures (2026)
Woke Score: 8.4 • Traditional Score: 9.1 • Verdict: MIXED • Margin: +0.7
Platform: Netflix | Director: Olivia Newman
This adaptation of Shelby Van Pelt's beloved novel about a widow and a giant Pacific octopus is gently traditional at its core, built on grief, connection, and the slow repair of a life. But its treatment of loneliness and its soft-edged sentimentalism keep the woke score from falling away entirely. The result is a warm, near-neutral MIXED that most families will find unobjectionable.
Read the full VirtueVigil review of Remarkably Bright Creatures
#23: Bad Boys: Ride or Die (2024)
Woke Score: 6.0 • Traditional Score: 8.0 • Verdict: MIXED • Margin: +2.0
Genre: Action | Platform: Netflix
The fourth Bad Boys film is built on a brotherhood-first premise that leans traditional, with its themes of loyalty, family, and redemption running through the action. But the franchise's surface-level identity jokes and its general looseness keep the woke score from dropping to zero, leaving a MIXED verdict that tilts just slightly right of center.
Read the full VirtueVigil review of Bad Boys: Ride or Die
TRADITIONAL LEAN (Margin +3.0 to +9.9)
#24: Blue Moon (2025)
Woke Score: 11.5 • Traditional Score: 14.1 • Verdict: TRADITIONAL LEAN • Margin: +2.5
Genre: Biographical Comedy-Drama | Platform: Netflix
Blue Moon, the story of lyricist Lorenz Hart in his final years, carries a traditional lean through its focus on artistic legacy, regret, and the toll of a life lived. The biographical setting and its melancholic humanism keep the woke score from disappearing, but the film's soul is old-fashioned: a portrait of a man reckoning with what he made and what he lost.
Read the full VirtueVigil review of Blue Moon
#25: Maestro (2023)
Woke Score: 5.2 • Traditional Score: 8.5 • Verdict: TRADITIONAL LEAN • Margin: +3.4
Genre: Biography / Drama | Platform: Netflix | Director: Bradley Cooper
Bradley Cooper's Leonard Bernstein biopic lands traditional-lean despite its subject's famously complicated personal life, because the film is ultimately about marriage, artistic dedication, and the endurance of a bond across decades. The traditional score outpaces the woke score on the strength of that central commitment, which the film treats with genuine reverence rather than progressive skepticism.
Read the full VirtueVigil review of Maestro
#26: The Old Guard (2020)
Woke Score: 10.9 • Traditional Score: 14.8 • Verdict: TRADITIONAL LEAN • Margin: +3.9
Genre: Action / Fantasy | Platform: Netflix
The Old Guard is an action film about immortal soldiers bound by loyalty, duty, and a shared code, which is naturally traditional material. Its woke score stays elevated because of the film's diverse cast and its light-touch commentary on who gets to be a hero, but the dominant note is the bond between warriors who have fought together for centuries. That bond is what gives the film its traditional lean.
Read the full VirtueVigil review of The Old Guard
#27: Little Brother (2026)
Woke Score: 6.2 • Traditional Score: 10.1 • Verdict: TRADITIONAL LEAN • Margin: +3.9
Genre: Comedy | Platform: Netflix | Director: Matt Spicer
Little Brother is a sibling comedy whose engine is family loyalty and the messy, unglamorous work of showing up for the people you are stuck with. The traditional lean comes from that core, which the film plays straight rather than mocking. It is modest, low-scoring, and quietly wholesome in a way that has become rare on Netflix.
Read the full VirtueVigil review of Little Brother
#28: People We Meet on Vacation (2026)
Woke Score: 7.7 • Traditional Score: 11.8 • Verdict: TRADITIONAL LEAN • Margin: +4.1
Genre: Romantic Comedy | Platform: Netflix
Emily Henry's friends-to-lovers romance translates to the screen with its traditional heart intact: the film believes in commitment, in the slow building of trust, and in the idea that love is something you earn over years rather than claim in a weekend. The traditional lean is modest but genuine, which makes it a rare Netflix rom-com that ends where conservative audiences would want it to end.
Read the full VirtueVigil review of People We Meet on Vacation
#29: The Piano Lesson (2024)
Woke Score: 3.9 • Traditional Score: 8.7 • Verdict: TRADITIONAL LEAN • Margin: +4.8
Genre: Drama | Platform: Netflix | Director: Malcolm Washington
August Wilson's play about a family fighting over a family heirloom is deeply traditional in its bones: it is about inheritance, legacy, memory, and the sacred weight of what gets passed down. The film adaptation keeps that core intact, producing a traditional-lean verdict built almost entirely on its reverence for family and the past.
Read the full VirtueVigil review of The Piano Lesson
#30: Exterritorial (2025)
Woke Score: 8.8 • Traditional Score: 13.7 • Verdict: TRADITIONAL LEAN • Margin: +4.9
Genre: Action / Thriller | Platform: Netflix | Director: Christian Zübert
Exterritorial is a taut action thriller about a parent who will stop at nothing to protect a child, and that premise is about as traditionally rooted as it gets. The film's procedural, competence-driven storytelling keeps the woke score in check, and the result is a lean-traditional thriller that trusts its audience to care about the stakes without a lecture attached.
Read the full VirtueVigil review of Exterritorial
#31: Office Romance (2026)
Woke Score: 8.8 • Traditional Score: 14.4 • Verdict: TRADITIONAL LEAN • Margin: +5.6
Genre: Romantic Comedy | Platform: Netflix | Director: Ol Parker
Office Romance is a throwback romantic comedy that treats falling for a coworker as sweet rather than suspect, and commitment as the goal rather than the trap. Its traditional lean is straightforward: the film likes love, likes marriage, and is not embarrassed by either. In a genre that has spent a decade apologizing for itself, that is enough to push it solidly right of center.
Read the full VirtueVigil review of Office Romance
#32: Kraven the Hunter (2024)
Woke Score: 5.4 • Traditional Score: 11.2 • Verdict: TRADITIONAL LEAN • Margin: +5.8
Genre: Action / Superhero | Platform: Netflix
Kraven the Hunter is a violent, old-fashioned origin story built on family, legacy, and a son's reckoning with his father, themes that lean traditional even inside a superhero frame. The film's excessive bloodletting and its grim tone keep it from being family fare, but its moral architecture, fathers, sons, and the weight of inheritance, is more traditional than most of the genre's recent output.
Read the full VirtueVigil review of Kraven the Hunter
#33: Rebel Moon: Part Two: The Scargiver (2024)
Woke Score: 18.0 • Traditional Score: 23.8 • Verdict: TRADITIONAL LEAN • Margin: +5.8
Genre: Sci-Fi / Action / Adventure | Platform: Netflix
Zack Snyder's Rebel Moon sequel is a strange case where both scores run high. The woke score is elevated by the film's resistance-to-empire framing and its diverse band of rebels. The traditional score is even higher, because underneath that framing the film is a classical story about defending a home, honoring the fallen, and sacrifice for community. The traditional side wins, but only just, which is why the verdict lands lean rather than decisive.
Read the full VirtueVigil review of Rebel Moon: Part Two
#34: Nobody 2 (2025)
Woke Score: 9.0 • Traditional Score: 15.1 • Verdict: TRADITIONAL LEAN • Margin: +6.2
Genre: Action / Thriller / Comedy | Platform: Netflix
Nobody 2 continues the first film's most traditional idea: an ordinary husband and father who is hiding a violent past, and who will unleash it to protect his family. That premise, the quiet man who will do anything for his own, is a conservative action staple, and the sequel leans into it. The traditional score reflects a film whose entire engine is protecting hearth and home.
Read the full VirtueVigil review of Nobody 2
#35: The Gray Man (2022)
Woke Score: 8.0 • Traditional Score: 14.5 • Verdict: TRADITIONAL LEAN • Margin: +6.5
Genre: Action / Spy Thriller | Platform: Netflix | Director: Anthony Russo, Joe Russo
The Gray Man is a straight spy thriller in the classic mold: a lone operative betrayed by his own agency, forced to fight his way out. The traditional lean comes from the genre's built-in reverence for competence, loyalty, and the individual against the machine. The Russo brothers keep the politics light and the action heavy, which is exactly what lands it on the traditional side.
Read the full VirtueVigil review of The Gray Man
#36: Firebreak (2026)
Woke Score: 4.8 • Traditional Score: 12.5 • Verdict: TRADITIONAL LEAN • Margin: +7.7
Genre: Psychological Thriller / Drama | Platform: Netflix | Director: David Victori
Firebreak is a psychological thriller about a person pushed to the edge who must decide what they are willing to do to survive, a premise that treats moral choices as real and consequential rather than socially constructed. The low woke score and solid traditional score reflect a film that is more interested in the weight of a decision than in the politics around it.
Read the full VirtueVigil review of Firebreak
#37: Stranger Things: Season 5 (2025)
Woke Score: 10.7 • Traditional Score: 18.5 • Verdict: TRADITIONAL LEAN • Margin: +7.8
Genre: Sci-Fi / Horror / Drama | Platform: Netflix | Director: Matt Duffer, Ross Duffer
The final season of Stranger Things returns the franchise to its traditional roots: friendship, courage, sacrifice, and the bonds of a group of kids who grew up together. The woke score lingers from the identity-first character work of the middle seasons, but the finale's dominant note is the same one the show started with, that love and loyalty are worth dying for, and that is a deeply traditional thing to say.
Read the full VirtueVigil review of Stranger Things: Season 5
#38: Havoc (2025)
Woke Score: 8.4 • Traditional Score: 17.2 • Verdict: TRADITIONAL LEAN • Margin: +8.8
Genre: Action / Crime / Thriller | Platform: Netflix
Havoc is a brutal, stripped-down crime thriller in the Gareth Evans mold, built on loyalty, betrayal, and the code of the underworld. Its traditional lean comes from a moral framework where honor and consequences are real, even among criminals. The film is violent to a fault, but its worldview is squarely on the traditional side of the ledger.
Read the full VirtueVigil review of Havoc
#39: Frankenstein (2025)
Woke Score: 11.7 • Traditional Score: 20.9 • Verdict: TRADITIONAL LEAN • Margin: +9.2
Genre: Gothic / Science Fiction / Drama | Platform: Netflix
Guillermo del Toro's Frankenstein is a faithful return to Mary Shelley's actual novel, and Shelley's story is more traditional than pop culture remembers: it is about a creator who refuses responsibility for his creation, and the ruin that follows. The film's traditional score runs high because it treats creation, responsibility, and consequence as weighty and real. The woke score persists around the edges of its outsider-sympathy framing, but the novel's moral gravity wins out.
Read the full VirtueVigil review of Frankenstein
#40: Maria (2024)
Woke Score: 4.9 • Traditional Score: 14.3 • Verdict: TRADITIONAL LEAN • Margin: +9.4
Genre: Biographical Drama | Platform: Netflix | Director: Pablo Larraín
Maria, Pablo Larraín's portrait of Maria Callas in her final days, is traditional-lean on the strength of its subject's own life: a woman defined by devotion to her art, her faith, and her craft. The film's low woke score reflects a story that does not politicize its subject but instead treats her as a tragic figure worthy of respect. It is the most restrained of Larraín's trilogy and the most traditional.
Read the full VirtueVigil review of Maria
TRADITIONAL (Margin +10.0 to +19.9)
#41: Rebel Ridge (2024)
Woke Score: 8.2 • Traditional Score: 18.9 • Verdict: TRADITIONAL • Margin: +10.7
Genre: Action Thriller | Platform: Netflix | Director: Jeremy Saulnier
Rebel Ridge is a study in how a film can carry anti-institutional framing and still land traditional. Its hero is a former Marine fighting a corrupt small-town police department, a premise that sounds woke on paper. But the film's core values, competence, restraint, protecting the innocent, and a man who keeps his word, are thoroughly traditional. The competence and the code outweigh the anti-cop framing, and the verdict lands firmly traditional.
Read the full VirtueVigil review of Rebel Ridge
#42: Beverly Hills Cop: Axel F (2024)
Woke Score: 4.0 • Traditional Score: 15.2 • Verdict: TRADITIONAL • Margin: +11.2
Genre: Action, Comedy | Platform: Netflix
The fourth Beverly Hills Cop is a legacy sequel that plays its father-daughter reconciliation story completely straight, and that is what lands it traditional. Eddie Murphy's Axel Foley returns as a father trying to reconnect with his daughter while doing what he does best. The film's heart is the repair of a family, and it treats that repair as the real prize, which is about as traditional as a franchise gets.
Read the full VirtueVigil review of Beverly Hills Cop: Axel F
#43: Extraction (2020)
Woke Score: 4.8 • Traditional Score: 16.5 • Verdict: TRADITIONAL • Margin: +11.7
Genre: Action / Crime / Thriller | Platform: Netflix | Director: Sam Hargrave
Extraction is a pure, old-school action movie: a mercenary takes a near-impossible job to rescue a kidnapped boy, and finds his own redemption in the process. The film's traditional score is built on that redemption arc, the hardened man who rediscovers his humanity through protecting an innocent. The low woke score reflects a movie that has no interest in lecturing anyone. It just wants to get the kid out.
Read the full VirtueVigil review of Extraction
#44: Extraction 2 (2023)
Woke Score: 3.4 • Traditional Score: 16.2 • Verdict: TRADITIONAL • Margin: +12.8
Genre: Action / Thriller | Platform: Netflix | Director: Sam Hargrave
Extraction 2 doubles down on the first film's most traditional impulse: Tyler Rake's mission is now explicitly about rescuing a family from a prison gang, and the film treats that family's survival as worth any cost. The sequel's woke score actually drops from the original, because the film is too busy being an action movie to say anything else. Family, sacrifice, and a man who keeps his word, that is the whole argument.
Read the full VirtueVigil review of Extraction 2
#45: Thrash (2026)
Woke Score: 2.0 • Traditional Score: 15.7 • Verdict: TRADITIONAL • Margin: +13.7
Genre: Survival Thriller / Horror | Platform: Netflix | Director: Tommy Wirkola
Thrash is a survival thriller about ordinary people forced to fight for their lives, and its near-zero woke score reflects a film with no ideological agenda whatsoever. The traditional score comes from the genre's oldest engine: human beings protecting each other when everything falls apart. It is lean, mean, and uninterested in anything but the fight.
Read the full VirtueVigil review of Thrash
#46: The Debt Collector (2026)
Woke Score: 1.0 • Traditional Score: 14.8 • Verdict: TRADITIONAL • Margin: +13.8
Genre: Action, Crime, Thriller | Platform: Netflix | Director: Surapong Ploensang
The Debt Collector is a crime thriller built on the oldest of codes: honor among thieves, debts that must be paid, and a man who does what he says he will do. Its woke score of 1.0 is effectively nonexistent, and its traditional score comes entirely from that code. The film does not preach. It simply assumes that a man's word matters, and that assumption is the whole of its worldview.
Read the full VirtueVigil review of The Debt Collector
#47: Train Dreams (2025)
Woke Score: 5.3 • Traditional Score: 20.6 • Verdict: TRADITIONAL • Margin: +15.3
Genre: Period Drama | Platform: Netflix
Train Dreams, adapted from Denis Johnson's novel, is a quiet, elegiac portrait of a working man's life in the American West, built on labor, grief, endurance, and the slow passage of time. Its traditional score is high because the film respects its subject: a man who builds things, loses things, and keeps going. The low woke score reflects a story that has no interest in the politics of the present. It is simply a life, rendered honestly.
Read the full VirtueVigil review of Train Dreams
#48: Nonnas (2025)
Woke Score: 1.4 • Traditional Score: 16.8 • Verdict: TRADITIONAL • Margin: +15.4
Genre: Comedy-Drama | Platform: Netflix
Nonnas is a warm comedy about Italian grandmothers and the food, family, and tradition they hold together, and its near-zero woke score reflects a film that has no argument to make and no agenda to push. Its traditional score is built on exactly what the title suggests: the matriarchs who keep a family whole. It is simple, sentimental, and squarely traditional.
Read the full VirtueVigil review of Nonnas
#49: The Night Agent: Season 3 (2026)
Woke Score: 22.0 • Traditional Score: 38.0 • Verdict: TRADITIONAL • Margin: +16.0
Genre: Action / Political Thriller | Platform: Netflix
The Night Agent's third season posts one of the highest raw traditional scores in the entire Netflix catalog, built on duty, service, and a hero who believes in the country he is trying to protect. The woke score is elevated by the show's conspiracy framing, which distrusts the people at the top, but the dominant note is patriotic in the best sense: the institutions are worth saving, and the people who serve them are worth honoring.
Read the full VirtueVigil review of The Night Agent: Season 3
#50: Little House on the Prairie (2026)
Woke Score: 2.0 • Traditional Score: 20.2 • Verdict: TRADITIONAL • Margin: +18.2
Genre: Drama / Family / Western | Platform: Netflix
The Netflix revival of Little House on the Prairie is traditional by design and by inheritance: the Ingalls family's values of faith, hard work, community, and resilience are the entire point of the source material, and the adaptation honors them rather than subverting them. The woke score is nearly zero because there is nothing to subvert here unless you set out to. This is family television that trusts its audience and its material.
Read the full VirtueVigil review of Little House on the Prairie
#51: Spider-Man: No Way Home (2021)
Woke Score: 3.5 • Traditional Score: 22.1 • Verdict: TRADITIONAL • Margin: +18.6
Genre: Superhero / Action / Science Fiction | Platform: Netflix | Director: Jon Watts
Spider-Man: No Way Home is the rare modern blockbuster that earns its traditional score through a genuinely traditional argument: with great power comes great responsibility, and the choice to sacrifice your own happiness for the good of others is the highest thing a person can do. The film's woke score is negligible, and its traditional score is among the highest of any superhero film in the database. This is what a hero looks like.
Read the full VirtueVigil review of Spider-Man: No Way Home
STRONGLY TRADITIONAL (Margin +20.0 and Above)
#52: Stranger Things (Season 1) (2016)
Woke Score: 5.4 • Traditional Score: 26.7 • Verdict: STRONGLY TRADITIONAL • Margin: +21.3
Genre: Science Fiction / Horror / Drama / Mystery | Platform: Netflix | Director: The Duffer Brothers
The first season of Stranger Things is the most traditional thing Netflix has ever made, and it is not close. A missing boy, a mother who will not stop looking, a group of friends who ride bikes into danger for each other, a sheriff who does his duty. Every one of those threads is a conservative value rendered as adventure. The 26.7 traditional score is the product of a show that had not yet learned to second-guess its own heart.
Read the full VirtueVigil review of Stranger Things: Season 1
#53: Cobra Kai (2018)
Woke Score: 3.9 • Traditional Score: 27.0 • Verdict: STRONGLY TRADITIONAL • Margin: +23.1
Genre: Action / Drama / Martial Arts | Platform: Netflix
Cobra Kai is the great sleeper of the Netflix catalog: a sequel series that took the black-and-white morality of The Karate Kid and made it richer without ever abandoning it. Honor, discipline, mentorship, redemption, and the long work of becoming a better man, these are the show's actual subjects. The woke score is negligible because the show has no interest in the culture war. It is too busy telling a story about teachers and students and the debts we owe each other.
Read the full VirtueVigil review of Cobra Kai
#54: Peaky Blinders: The Immortal Man (2026)
Woke Score: 4.2 • Traditional Score: 30.6 • Verdict: STRONGLY TRADITIONAL • Margin: +26.4
Genre: Crime / Drama / History | Platform: Netflix | Director: Tom Harper
The Peaky Blinders film is built on the oldest of gangster-story themes: family, loyalty, legacy, and the price of power. The Shelby family's code is brutal, but it is a code, and the film treats it with the seriousness it deserves. The 30.6 traditional score reflects a story that believes in blood, in the debts of the past, and in the idea that a man's name means something. It is the most traditional crime saga in the Netflix catalog.
Read the full VirtueVigil review of Peaky Blinders: The Immortal Man
#55: War Machine (2026)
Woke Score: 1.7 • Traditional Score: 28.2 • Verdict: STRONGLY TRADITIONAL • Margin: +26.5
Genre: Sci-Fi / Action / Thriller | Platform: Netflix | Director: Patrick Hughes
War Machine is a military sci-fi action film about soldiers doing the job they were trained to do, and its near-zero woke score reflects a movie that has no interest in deconstructing the military or second-guessing its heroes. The 28.2 traditional score is built on duty, brotherhood, and the willingness to lay down your life for the people beside you. It is the kind of action movie Hollywood used to make without apology.
Read the full VirtueVigil review of War Machine
#56: Apollo 13 (1995)
Woke Score: 0.4 • Traditional Score: 27.6 • Verdict: STRONGLY TRADITIONAL • Margin: +27.3
Genre: Drama / History / Thriller | Platform: Netflix | Director: Ron Howard
Apollo 13 is the most traditional film available on Netflix, and it is not particularly close. Ron Howard's masterpiece about the failed moon mission is built on competence, courage, teamwork, and the refusal to give up, and it treats every one of those virtues as sacred. The woke score is effectively zero, because the film has nothing to say about identity or systems and everything to say about the human spirit. It is the standard against which every "traditional" score on this list is measured.
Read the full VirtueVigil review of Apollo 13
#57: Happy Gilmore 2 (2025)
Woke Score: 3.4 • Traditional Score: 31.2 • Verdict: STRONGLY TRADITIONAL • Margin: +27.8
Genre: Sports Comedy | Platform: Netflix | Director: Kyle Newacheck
Happy Gilmore 2 posts the highest traditional score in the entire Netflix catalog, and the reason is simple: the Happy Gilmore franchise is built on a son's love for his grandmother, and everything else is decoration. The sequel keeps that heart intact, and adds a father-son thread for good measure. The woke score is negligible because Adam Sandler has no interest in lecturing his audience. He is too busy making them care about family. At a 31.2 traditional score, this is the most family-first title Netflix has ever released.
Read the full VirtueVigil review of Happy Gilmore 2
The Takeaway
Netflix is not a monolith, and anyone who says otherwise is not looking at the data. The same platform that greenlit Emilia Pérez also greenlit Apollo 13. The same executives who ordered Adolescence also ordered Cobra Kai. The difference between a -25.4 margin and a +27.8 margin is not a subtle shading. It is the difference between two entirely different companies occupying the same app.
The pattern is clear enough to be useful. Prestige drama and animated kids' content skew woke. Action, thriller, and legacy franchise content skew traditional. If you are choosing what to watch with your family, the bottom half of this list is where the real stories live, and the top half is where the messaging lives. That is not a value judgment from us. It is what the scores show.
Two titles deserve special mention. Emilia Pérez, at -25.4, is the most woke thing Netflix has ever made, a film where the ideology is the product and the story is the wrapper. And Happy Gilmore 2, at +27.8, is the most traditional, a film where family is the product and everything else is decoration. Those two poles define the platform. Everything else on this list is a point on the line between them.
The absence in the middle is telling. Not a single Netflix original lands in the plain WOKE tier between -10 and -20. Netflix does not do moderation, not on the woke side. It either goes all the way or it stays in the lean zone. Parents should know which side of that line any given title falls on before they press play. That is what this list is for.
Every film and show on this list has a full VirtueVigil review with trope audits, scoring breakdowns, and parental guidance. Browse the complete database at virtuevigil.com/reviews/.